London: Warburg Institute / University of London, 1957. 1st. Hardcover. Bound in publisher's brown and white cloth with spine and cover lettered in brown. 148 illustrations. More
New York: Farrar, Straus and Giroux, 2007. 1st. Hardcover. Translated from the Spanish by Natasha Wimmer. Bound in publisher's originla cream cloth with the spine stamped in black. More
Sheffield: Sheffield Academics Press, 1992. Hardcover. Journal for the Study of the New Testament Supplement Series 75. More
New York: Harcourt, Brace, 1948. 1st. Hardcover. Winner of the Pulitzer Prize for Fiction in 1949. Bound in publisher's original gray cloth with the spine stamped in blue. Second state dust jacket without publisher's blurb on rear flap of dust jacket. Minor shelf wear to the bottom edges of the..... More
La Crosse: Sumac Press for the Norwegian Explorers of Minnesota, 1978. Hardcover. One of four-hundred copies printed. Printer's presentation card laid in. Bound in red vinyl with spine stamped in gilt. More
London: Chapman and Hall, 1843. 3rd edition. Hardcover. Bound in publisher's original red orange cloth with blind stamped covers and front cover and spine stamped in gilt. Four hand-colored plates by John Leech and four black and white wood engravings by W. J. Linton. A Christmas Carol has had an..... More
Boston: James R. Osgood, 1877. 1st. Hardcover. Bound in original green cloth decorated in black, lettering gilt on front cover and spine, advertisements on endpapers. Vest Pocket Series. First published in 1851. More
New York: Reynal & Company, 1970. Hardcover. Published in association with William Morrow & Company. Bound in publisher's original white cloth with the front cover and spine stamped in gilt. The dust jacket has minor chips and closed tears to the extremities. More
London: Grey Walls Press, 1951. 1st. Hardcover. Bound in publisher's original red cloth with the spine stamped in black. The dust jacket has very minor wear at the extremities. More
London: 1818. Original aquatint and stipple engraving drawn and executed by William Hooker. Image measures 18 x 17 cm, leaf measures 33 x 25 cm. Fine condition. Matted and ready for framing. Illustration is from Hooker's POMONA LONDINENSIS published privately in London in 1818 with 49 stunning coloured engravings. Considered..... More
London: Bernard Quaritch, 1868. From the third edition of Owen Jones' GRAMMAR OF ORNAMENT first published in 1856. The image of this original color lithograph measures approximately 8 x 12 inches and is matted to 14 1/2 x 18 inches ready for framing. Facsimile of the title page and relevant..... More
London: Bernard Quaritch, 1868. From the third edition of Owen Jones' GRAMMAR OF ORNAMENT first published in 1856. The image of this original color lithograph measures approximately 8 x 12 inches and is matted to 14 1/2 x 18 inches ready for framing. Facsimile of the title page and relevant..... More
London: Bernard Quaritch, 1868. From the third edition of Owen Jones' GRAMMAR OF ORNAMENT first published in 1856. The image of this original color lithograph measures approximately 8 x 12 inches and is matted to 14 1/2 x 18 inches ready for framing. Facsimile of the title page and relevant..... More
London: T. Bensley, 1797. Hardcover. Bound in brown tree calf over boards with the covers, spine and inner dentelles stamped and decorated in gilt. Spine labels are chipped. Boards are loose at the hinges but holding, rubbed at the edges and extremities, chipped at the heads and heels. Marbled endpapers..... More
Poynette: Bieler Press, 1975. 1st. paperback. One of 100 numbered copies. This copy signed "Bieler" by Gerald Lange. Bound in publisher's original black velour wrapper. Pages of text interleaved with blank black paper. The first book of this press. Smith 2. More
Paris: Librairie D'amyot, 1855. Hardcover. Bound in red quarter leather and brown cloth over boards, spines stamped and decorated in gilt. Edges and extremities are rubbed with boards showing through at the corners. Marbled endpapers. First 8 pages (after frontis) of volume one are bumped with closed tears, all other..... More
London: Longmans, Green, and Co., 1892. Hardcover. Bound in half brown calf and brown cloth with rules stamped in gilt on the covers and with the spines stamped in gilt with five raised bands. Top edges gilt. Previous owner's bookplates on the front pastedown endpapers. More
London: Printed for A. Millar in the Strand, 1762. Hardcover. Bound in full leather over boards. Rubbed at the extremities. Foxing to end papers. Ex-library with the usual markings. More
Paris / Philadelphia: Chez Barrie Frères / G. Barrie, nd. Hardcover. One of 500 numbered sets (from a total edition of 550) bound in burgundy leather over soft boards. Covers and spines stamped, decorated, and ruled in gilt. Top edges gilt. Gilt inner dentelles and marbled endpapers. Rubbed at the..... More
London: Printed for the Publishers by Walker & Greig, Edinburgh, 1820. Hardcover. Bound in full green leather over boards, spines stamped & decorated in gilt, edges and endpapers marbled. Edges and extremities are rubbed. Engraved frontis of the author from a painting by Sir Joshua Reynolds in volume 1. With..... More
London: Swan Sonnenschein, Lowry & Co., 1888. 2nd. Hardcover. Translated from the French by Bayle St. John. More
Denver: World Press, 1958. 1st. Hardcover. Limited signed and numbered edition bound in the publisher's original yellow cloth, cover and spine stamped in red. Author's signed presentation on the title page. Dust jacket spine is sun faded with light wear and chipping to the extremities. Author's signed letter laid in..... More
London: Henry Washbourne, 1848. 2nd. Hardcover. Black-and-white lithographic frontispiece and three black-and-white lithographic plates. Bound in half blue leather and blue marbled boards with the covers and spine stamped in gilt. Top edge gilt. Marbled endpapers. Spine is sunned. Frontispiece and plates are foxed. Previous owner's bookplate on the front..... More
New York: Charles Scribner's Sons, 1984. 1st. Hardcover. Bound in the publisher's original blue cloth, spine stamped in gilt. Some leftover adhesive marks where bookplate was removed from front pastedown and ffep, otherwise fine. Tapply's first book, signed by him on the title page. More