Santa Cruz: Lime Kiln Press/University of California Santa Cruz Library, 1973. Clough, Alison. Limited/Numbered. Hardcover. Commentary by William Everson. Woodcut by Alison Clough. [Santa Cruz], Lime Kiln Press, 1973. One of 200 numbered copies signed by the commentator and the artist and bound in quarter black leather with natural cloth...
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Toronto: Contact Press, 1957. 1st. Hardcover. 1st edition of the author's first book with a lavish inscription to Allen Tate on the front free endpaper, dated and signed by Jones. Wrapper. Dust jacket. Includes an original poem by Jones entitled "Boy in the Lamont Poetry Room, Harvard" typed in eight...
Iowa City: Seamark Press, 1972. Hardcover. One of 317 copies printed on Shinsetsu paper using Emerson type. Presentation signed by the author on the title page. Bound in publisher's original green cloth with a white paper spine label stamped in black.
Iowa City: Seamark Press, 1972. One of 317 copies. Cloth with a paper spine label printed in black, publisher's prospectus laid in. Fine.
Saint Paul: Midnight Paper Sales, 1981. 1st. Paperback. With two original prints by Gaylord Schanilec. One of 60 numbered copies signed by the author and the artist. Slipcase.
Charlottesville: University of Virginia Press / Thistle Press, 1961. 1st. Hardcover. One of 1500 copies designed, printed and bound by Clake & Way at the Thistle Press.
LISBON: Penumbra Press, 1976. Paperback. First limited edition. One of 100 copies sewn into overlapping grey Strathmore Grandee wrappers from a total of 200 press-numbered copies. Fine. Chambers 76.194.
Lisbon, Iowa, Penumbra Press, . First limited edition. One of 100 hard-bound copies from an edition of 200 numbered copies. Cloth with a cloth spine label. Fine. Chambers 76.194.
Lisbon: Penumbra Press, 1976. 1st. Paperback. First limited edition. Signed by Author. Although this edition was not signed, this copy has a presentation signed by Keens on the colophon. One of 100 press-numbered copies sewn into overlapping grey Strathmore Grandee wrappers from a total of 200 numbered copies. Fine. Chambers 76.194.
Santa Barbara: Black Sparrow, 1979. 1st. Hardcover. 1st edition. One of 50 numbered copies handbound in boards by Earl Gray, containing an original ink drawing and holograph poem. Fine condition.
Los Angeles, Black Sparrow Press, 1974. 1st edition. Signed by the author. Wrapper. Fine.
Los Angeles, Black Sparrow Press, 1972. 1st edition. Signed by the author. Wrapper. Fine.
n/p: n/p, 1971. 1st. Hardcover. One of 60 copies printed by Carroll Coleman at the Prairie Press. Printed in quarter brown and tan cloth boards with spine stamped in gold. Not in Cheever.
n/p: n/p, . 1st. Accompanied with "HISTORY OF THE MANUSCRIPT," by Frank E. Egler. Quarter blue cloth with marbled boards. Unprinted white dust jacket. One of 402 copies. Fine condition. This essay originally written in 1888. Cheever 168. Typographic flowers decorating title page are those of Pierre-Simon Fournier.
London: Acorn Press, 1972. 1st. Paperback. First limited edition. Signed by author and artist. Decorations cut by Wei Hseing Pun after original designs by Hellmuth Weissenborn. Done into the Chinese language by Wang Wei. One of 70 signed and numbered copies bound in printed paper wraps. Fine condition.
n/p: The Toothpaste Press, 1980. One of 150 numbered copies signed byt the author. Printed at The Toothpaste Press for the fourth Midwestern Writers' Festival and Book Fair dated April 22, 1980. 7.5 x 10.5 inches. Fine. Selection is from SECOND CHANCE MAN: THE CIGARETTE POEMS.
Santa Barbara: Oyster Press, 1978. 1st. Hardcover. Illustrated by the author. One of 26 numbered copies signed by the author. Handbound in quarter brown cloth with paper boards.
Minneapolis: Minnesota Center for Book Arts, 1996. paperback. One of 100 numbered copies signed by the authors. The pieces by Myung Mi Kim are selections from the section titled Cosmography in a larger work titled Dura published by Sun & Moon Press in 1996. Center illustration by Denese Sanders. Bound...
San Francisco: Book Club of California, 1967. Hardcover. One of 400 copies printed for members of the Book Club of California by the Ward Ritchie Press. Cloth lettered in gilt on the cover and spine. Fine.
Port Townsend, WA: Copper Canyon Press, 1984. 1st. Hardcover.
Omaha: Abattoir Editions, 1978. Hardcover. Romulus Romein, Curseif, Halfvet and Cancelleresca Bastarda types in black. One of 164 copies on Arches paper of a total edition of 208. Black natural finish cloth over boards, image by John Thein blind-embossed on cover. Fine condition.
Port Townsend: Graywolf Press, 1978. paperback. One of 325 copies printed using a hand-operated Chandler & Price platen press; Spectrum and Weiss typefaces on Warren's Olde Style paper and sewn into publisher's original gold wrappers stamped on the front cover in red.
OMAHA: Abattoir Editions, 1976. Hardcover. One of 294 numbered copies. Dedication signed by the author and Harry Duncan, printer. Set in Joanna type and printed on Basingwerk paper. Bound in olive cloth. Fine condition. Signed by Author.
Omaha: Abattoir Editions, 1981. 1st. Paperback. One of 195 copies printed from Gill Sanserif types on Windhover paper.
(Reimer, Eli) la Cour, Tage. POUL MARTIN MOLLERS; STROTANKER OM SKRIBENTER OG LAESERE. Illustrationer af Helge Kuhn Nielsen. N.p., Grafisk Cirkel, 1951. One of 85 copies printed by Eli Reimer. Signed by the printer. Paper boards. Fine.